Wednesday, 5 September 2012

I’m more than just ARR’s nephew now

http://articles.timesofindia.indiatimes.com/images/pixel.gif
http://articles.timesofindia.indiatimes.com/images/pixel.gif
I'm pretty excited about my Telugu projects. After "Darling" and "Nanna" did well last year, I've been trying my best to make some good music in Tollywood. With "Endhukante Premanta", hopefully I'll score a hattrick. Ram is a great dancer and I've created some peppy tunes for him to shake a leg to.
http://articles.timesofindia.indiatimes.com/images/pixel.gif
1.Tell us about your Hindi project "Gangs of Wasseypur". Heard you are going to Cannes with the team... Working with Anurag Kashyap is amazing. It's a two part film, which spans the time period from 1960 to 2000, with the backdrop of the coal mafia in Dhanbad. So, I got to play around a lot with some retro tunes. I've used a lot of live instruments as well. Our movie is going to the Cannes Film Festival this year, so, I've made sure that the music appeals to an international audience as well.
2.So, who is your date on the red carpet? I'll be walking the red carpet with the cast and director of my film. I would have loved to take my fiancee, but maybe next year, after we tie the knot.
3.How difficult is it to score for Telugu, Tamil and Hindi films simultaneously? The taste of the audience varies in all three languages. In Tamil, the folk element is very strong, whereas in Telugu films, the audience loves techno beats. In Mumbai, I find the music mostly bhangra-driven. No matter what the language or genre, I try to cut a stylish album - something that will be ingrained in the listener's memory for a long time. For example, in Akshay Kumar's "Joker", the music is upbeat and peppy and in "Gangs of Wasseypur" it's the extreme - dark and moody. But nevertheless, it's a challenge and a great working experience.
4.Item numbers are a rage in B-Town. "Joker" has one too, picturized on Chitrangada Singh. To be honest, every number in the album is an item number (laughs). What I mean is, the complete album is dance-oriented and I've worked a lot on the feel of it. So my whole treatment is based on an upbeat note. "Joker" is a complete commercial fare. It's the first time I'll be working on something so mainstream Bollywood. It is also my first 3D film. The tunes are very Akshay - fun and peppy. I've gone all out in looping together the commercial elements.
5.Being AR Rahman's nephew can be quite daunting. Well, initially it was. When I first started my career, people would refer to me as Rahman's nephew. But a few movies down the line, they have forgotten that. Today, people talk about me as the composer who scored hits for films like "Mayakkam Enna" and "Madrasapattinam".
6.The industry today is teeming with young composers who are creating a name for themselves with instant, runaway hits. There is so much good stuff happening in the music industry these days. The best part is that people in the industry are open to giving young people a chance and accept contemporary ideas. There is a lot of variety and no dearth of talent. Look at composers like Amit Trivedi - every album of his is a gem. I'm a big fan of his. Thankfully, there are others too, like me, who have managed to create their own space.
http://articles.timesofindia.indiatimes.com/images/pixel.gif
7.So what are the other projects in your kitty? Well I have "Common Man" in Hindi which stars Amitabh Bachchan. Then there's another big project in Hindi which I have recently signed, but can't talk about right now. In Telugu, I have "Bommarillu" Bhaskar's next and a few others in the pipeline.

Sunday, 2 September 2012

G.V. Prakash and Vetrimaran acts together



Composer G.V. Prakash has acted in a scene with director Vetrimaran and cinematographer Velraj. The scene is a part of ‘Naan Rajaavagapporen’ starring Nakulan, directed by Vetriman’s assistant Prithvi Rajkumar. The story and screenplay are also by Prithvi. GV is the music director.

He completed 25 years and his 26th birthday fell on June 13. He did not have time to celebrate as he was busy with ‘Saguni’ re-recording.Narrating his acting experience, GV said he had scored music for 25 films in a short span of time. ‘Naan Rajaavagapporen’ has a ‘cultural programme’ scene in which he acted along with director Vegtrimaran and cinematographer Velraj. Though it is a brief scene, his appearing in it as an actor is a new experience for him, Prakash said gleefully.

G V Prakash likes "AK "and "V"




         Two letters from the English alphabet seem to be playing an important part in music composer G V Prakash’s life. In Bollywood his two films in Hindi are with Anurag Kashyap and Akshay Kumar, who are both ‘AK’ when abbreviated.When we recently asked him who he’d like to work with in the Hindi industry, GV named Aamir Khan without battling an eyelid. Another AK on the cards?
           In Kollywood though, it looks like ‘V’ is the letter to look at for the composer. His first flick was Veyyil with Vasantabalan, which gave him name and fame. He worked with directors Vijay and Vetri Maaran on big projects such as Deiva Thiirumagal and Aadukalam, films that gave him a lot of acclaim and fans!